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Acrylic on ceiling board, an original painting worked in thick impasto. The maker gives the frame depth as 3cm.
Artwork 32.5 x 42cm, the maker's own measurement. Frame depth 3cm.
Delivery price and timing are shown for your address before you pay.
Dispatch time: 3-5 business days.
Returns: No returns. If it arrives damaged, wrong or not as described, report it within 48 hours of delivery and Sokofa will put it right.
An original painting, so it is one of a kind and the photographs cannot fully show the raised paint surface. Colours may look slightly different on your screen. It is signed and dated in the lower left.
There is no traditional motif here, and the connection is the maker. He works in Kaduna, and the painting is his own. What it does carry is a quiet argument about what deserves painting. The still life has a long history of treating ordinary food seriously, and a plate of empanadas painted at this scale, in this much impasto, puts an everyday snack in that tradition rather than outside it.
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No returns. If it arrives damaged, wrong or not as described, report it within 48 hours of delivery and Sokofa will put it right.
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An original acrylic still life of three golden empanadas on a dark plate, with a bowl of red sauce beside them, painted in thick expressive strokes on ceiling board. It is a kitchen and dining room painting. Food still life earns its place where people eat, and this one is warm rather than formal, all browns, golds and a deep teal ground that makes the pastry glow. The paint is worked thickly enough to see. The crimped edges of the pastry are built up in ridges you can read across the surface, and the filling is scraped in with broken colour rather than blended, which is what gives it the coarse, appetising texture. The board is a ceiling board panel, a support Nigerian painters use often, and the maker gives the frame depth as 3cm. It is signed and dated 26 in the lower left corner. This is an original, not a print, and there is one of it. The maker gives the artwork size as 32.5 by 42cm. Hang it out of direct sunlight, which fades pigment over time, and dust the surface with a dry soft brush rather than a cloth, which can catch on raised paint.

Isaiah Aminu is a multidisciplinary artist based in Kaduna, Nigeria. His practice spans sculpture, painting, drawing, and digital art, exploring form, nature, connection, and human experience.
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